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1929 or in striking portraits of herself and of her friend, muse and model Traute Rose Traute Rose with closed eyes, c.

2019, also ist noch Zeit sie anzusehen.

Die an diesem Tisch versammelten Gestalten? Laserstein worked mainly with four basic sets of green-brown colours, and painted alla prima, largely with just one layer.

Still, who is to deny a little artistic licence? Through Wolfsfeld, Laserstein inherited the German realist tradition, which stretched from the nineteenth century artists Adolph Menzel and Wilhelm Leibl back as far as Hans Holbein.

Even the purchase of paints and materials became troublesome.

Athletic and androgynous, Traute was perfectly cast as the modern woman, equally happily depicted in the nude as she was fashionably or sportily dressed.

auf den Bildschirm geholt, die zeigt, dass das Bild der nackten liegenden Frau immer schon ein malerisches Sujet war.

Krausse thinks she missed her home city and felt adrift without her friends, particularly Rose.

Laserstein died in Kalmar on 21st January 1993 at the age of 94.

In The Discussion, painted in 1934 after the Nazis seized power, three men converse conspiratorially in a dimly lit attic room.

The five friends painted after real-life friends of the artist, with Traute on the left-hand side — although the woman on the right, less of a patient model, actually has the legs of Traute beneath her own head and torso, and the dog, the least patient model of them all, was largely painted from a fur Laserstein had in her studio seem no longer to know what to say to one another.