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I did a lot of darkroom work in those years and extensive work in experiments with different media and different equipment.

Describe for me your process of production, both mentally and in physical creation.

We are the luckiest of cultural workers.

I sketch and draw so that is where I get the ideas for my sculptures most of the time.

I do want viewers of my work to experience my beliefs.

HS: I often start with a textual reference, but during the process I realize that it is no less a material, a tactile and visual one; various impressions accumulating in a particular visual idea.

One lies on the ground, like a ruin, suggesting something archeological in nature.

They were sweating and blushing from trying to crack the challenge without any luck.

A mythic and epic created from fantasy, from the mind.